I read this book a long time ago. After reading The Brothers K. For a class in high school, I picked up this book. I don’t think I understood the themes fully back then, but I still greatly enjoyed it.
SPOILER ALERT FROM HERE ON OUT
Just about my favorite aspect is how easily Dostoevsky gets into your head. Or leads you into the character’s head. As a young person with some affinity with nihilism, I suppose it wouldn’t take much for me to get into Raskolnikov’s head so maybe that’s not a testament to the writer’s ability, but I digress. Porfiry was my absolute favorite. As I was pretty much putting on my Raskolnikov hat the whole time, I really felt the panic and anxiety whenever the detective appeared on the scene and when he was speaking with the main character, I felt as Raskolnikov felt, utterly trapped between my conscience, my desire to get away with it, Porfiry’s masterful interrogation and the desire to just “end it all” by giving myself over to the law. Without Porfiry, Raskolnikov seems to find some relief from his guilt.
What still stands out to me to this day is the killing of Lizaveta. Rodion never meant to do it. He was overconfident and arrogant in thinking that things would work out just as he intended. He didn’t know himself. He didn’t know he would kill her in a fit of panic (at least that’s how I remember it happening). He thought all would go according to plan, he would play Napoleon and that would be that. The whole affair would be wrapped up in a neat little bow. Whatever righteousness his act might have had, it was all gone the moment he killed Lizaveta. Not that there was much righteousness there in the first place. He was in hell after the killing. I can’t imagine he anticipated this. He wanted to do the Superman thing and transcend good and evil. Problem is, that’s just not in him. Very few people have no conscience and he’s just not one of them; if anything he seems to have quite a strong conscience. I think it serves as a good message for anyone who advocates violence, even for a “good” cause. Can you live with yourself afterwards? Can you really? And if you can’t, maybe it’s wrong.
If I must place Raskolnikov within the Dostoyevsky universe, it’s probably a mash up between two of the Karamazov brothers. Long story short, there is a thinker and there is a doer. Raskolnikov is very clever, but he also has the courage of his convictions. He acts on them, whereas the “thinker” brother does nothing but write papers and diatribes. After some bad thing happens due the “doer” acting on the “thinker’s” ideas, the latter goes into a moral paralysis, a “brain fever”, if you will, very similar to Raskolnikov’s mental breakdown near the end. I suppose that’s part of his tragedy. He has a conscience and he’s way too intellectual to really believe that his act was right. He’s only half of a doer and cannot get away from questioning himself. It would have been easier if he was just a Napoleon or an Alexander who act but don’t seem reflect much on why they’re doing it. Maybe that’s also part of being self conscious. Most “great”, “beyond good and evil” people don’t seem to be. Or, if they are, they suppress it.
One thing that puzzles me is Dostoevsky took care to tell us how impoverished Raskolnikov was. What’s the relevance to the story? I don’t remember. Maybe I need to read it again. I don’t remember why he was so impoverished. Did he fail out of school? Did he create his own circumstances? I don’t remember if it had anything to do with his desire to kill Alyona. Probably. But I can’t say for sure. I definitely need to reread this book.